Renaissance manhandling

Ezio Auditore, the fire of Firenze, pulls the guard close in passionate embrace.

Its an intimacy born not of love but its close cousin, hate.

The sword connects, though not with its intended target.

Ezio knocks an enemy off a roof, surely to his death, in Assassin’s Creed 2

Instead it catches Ezio in the shoulder, knocking the assassin off-balance.

The farce of it all is worth every one of the twelve hitpoints he loses in the process.

Its the yes, and… of improvisational calamity.

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In the sequels that followed, Assassins Creed developers increasingly demanded precision from players.

Ezio pulls an enemy off a roof, surely to his death, in Assassin’s Creed 2