There’s a time and a face
This is the game where you peel a dead womans face off.
Apart from poor writing, these excessive, brute force attempts to disturb define Martha Is Dead.
For the most part Martha just made me frown and go ew.

Were in rural Italy, 1944, towards the end of WW2.
Youre Giulia, the daughter of a fascist general, though thats just backdrop.
Cue the face-peeling nightmare.

It keeps going like this.
The most uncomfortable part was worrying that someone might walk into my room and ask me to explain myself.
At least they wouldnt be exposed to the writing.

You get an ew, not an argh.
While the plot itself veers about wildly, the pacing can feel ponderous.
Its charming the first time, dull by the third.

It tripped me up, even though Id only taken a couple of accidental extras.
Bafflingly, time-wasting repetition is also baked into parts that are supposed to be actively scary.
Again, the scariest prospect was someone walking in.

There are technical faults, too.
Some quest markers never appeared, while completed ones stuck around.
Even without them, stuttering persisted, especially whenever I went down a certain staircase.
That is not the way you want your horror game to be jarring.
There are small, fleeting glimpses at what could have been.
In any case, though, those scenes dont build towards a satisfying conclusion.
A parade of ghost sharks, clumsily jumped.